Fantasy is pure magic. Ask Davonna Juroe, the bestselling author of Scarlette, Seeing Red and her newest hit with co-writer John Bladek, Winterbay Abbey. Several years ago, I interviewed Davonna here on Writing Belle to talk about what was then her new debut novel, Scarlette. Since then, Davonna has been a very busy lady, and her success is well earned!
I love Davonna's books because they mix fun with fantasy and Gothic lore with ghostly chills. Her books are well researched and she's an all-around class act! I encourage you to check out her books online and give them a try.
Today, we're visiting with Davonna for the first time since 2014 (although the first time she visited with us was in 2012 - time flies, right?). Are you ready? Let's go!
Welcome back to
Writing Belle, Davonna! It's a pleasure having you here again. What have you
been up to lately? Tell us about your new novel, "Winterbay Abbey".
Thanks for having me,
Summer! Besides playing my harp and taking enchanting photos for social media, I
just released a new novel this Fall, which I'm thrilled about. The book,
"Winterbay Abbey", is a modern Gothic ghost story that I co-wrote
with author John Bladek ("Lost in Ghostville", Capstone Publishing –
“Roll Up the Streets!”, Kane Miller). Inspired
by classic ghost tales, "Winterbay Abbey" is a contemporary thriller,
reminiscent of Susan Hill’s "The Woman in Black" (twice adapted for
film) and Alejandro AmenĂ¡bar's
"The Others".
It also actually landed onto
the Amazon, Barnes and Noble, Kobo, and iTunes Top 100 Bestseller Lists over the
holidays, and went to #1 in ghost fiction on
Amazon, too!
The story follows
Seattle architect Will
Larson on his last chance to save his stagnant career: design a grand
restoration for a long-abandoned abbey. Looming above the breathtaking,
windswept coast of Maine, Winterbay Abbey offers a picturesque spot for a
charming hotel. But the locals harbor a peculiar distaste for the ruined Gothic
convent.
After witnessing a drowning within sight of the abbey, Will wonders why the police seem disinterested in the case. He begins looking deeper into the incident, gradually uncovering chilling secrets behind the old nunnery’s walls. Will’s wife, Emily, becomes convinced the drowning is a ghostly replay of a past tragedy. But their investigation into the abbey’s frightening history soon becomes a desperate struggle to escape Winterbay’s dark curse.
After witnessing a drowning within sight of the abbey, Will wonders why the police seem disinterested in the case. He begins looking deeper into the incident, gradually uncovering chilling secrets behind the old nunnery’s walls. Will’s wife, Emily, becomes convinced the drowning is a ghostly replay of a past tragedy. But their investigation into the abbey’s frightening history soon becomes a desperate struggle to escape Winterbay’s dark curse.
It's the perfect book to read
with a warm cup of tea in front of the fire this winter.
I personally love
books with a little chill, a little fantasy and a little mystery. Who are some
of your favorite authors/books?
I'm absolutely crazy
about creepy Gothic ghost stories, and I think we're starting to see some
revival in that genre. People still like to be scared, but many prefer these
tales without gore etc. Some of my favorites are ALL of Susan Hill's ghost stories, Michelle Paver's "Dark
Matter", and "This House is Haunted" by John Boyne – all
contemporary stories. I also love the classics, "The Turn of the
Screw", "The Legend of Sleepy Hollow", "Carmilla",
"The Picture of Dorian Gray", "The Fall of the House of
Usher", "Dracula", "Frankenstein". I could list
forever.
What was it like
collaborating with John Bladek for Winterbay Abbey?
Now that I've co-written a book with another author, I'm not sure I want
to write solo again. Collaborating is truly one of the best experiences I've
had in my writing career.
John and I live 300 miles apart, so we used Google Docs to bridge the
distance. We started with an outline and then took turns writing chapters and
then passed the manuscript to each other for full edits.
I can't over emphasize how wonderful it is to have instant feedback and to
problem solve with a writing partner. Novel writing is solitary and sometimes
difficult with having to manage an entire storyline in your head. While critique
groups are helpful, having someone who knows the story inside and out like you
do is invaluable and produces high-quality work.
How long did it take
you to complete the novel - from conception to finished product?
Exactly two years from conception to the publication date. Two months before Halloween in 2014,
John and I challenged each other to write a ghostly tale based on a list of
supposedly haunted buildings and locations in the U.S. We settled on a
combination of a haunted hotel and a lighthouse, which morphed into the
Winterbay Abbey setting along with its brooding lighthouse offshore.
This novel, unlike my historical novella "Seeing Red" and my
historical fairy tale retelling of "Little Red Riding Hood" ("Scarlette"),
did not require as much research. However, we did investigate the Magdalene laundries
that inspired our setting, and John has a PhD in History, so he brought a lot
of knowledge to the table on the topic.
We chose
an abbey as the setting based on my research from my previous book, "Seeing Red". Set in the 1960s, "Seeing Red" tells the story
of a young woman navigating the "Mad Men" era in NYC. My investigation
into that period led me to discover a disturbing yet common practice for
handling many unwed pregnant girls. Their ashamed families sent them to asylums
or convents for the duration of their pregnancies to avoid public humiliation.
These
asylums comprised an expansive institution throughout Europe and North America
for much of the 19th and 20th centuries. They were an untalked-of secret that
society knew were places for “bad girls.” And they were often much more than
places where middle-class daughters hid from shame. For the poor, they could
become prisons with virtually no way out. Forced to purchase their freedom at
often exorbitant prices, some girls were enslaved for many years.
The
Magdalene asylums or laundries, Irish institutions run by Catholic nuns that
housed unwed mothers, prostitutes, and other “wayward girls”, became
popularized by films like the "Magdalene
Sisters" and "Philomena".
These movies dramatized life for the destitute and abandoned women
living in convents. The films, admittedly fictionalized accounts with some
accuracy problems, depict true horror, as women suffered incredible abuses and
were robbed of their children and their freedom. A mass grave uncovered in 1993
near one of the Magdalene laundries in Dublin, Ireland contained the bones of
155 forgotten women and children.
These stories
stuck with me, and John and I decided to make "Winterbay Abbey" a place of terror while integrating
in some of this history. However, “Winterbay” is a work of fiction and not
intended to depict any real events.
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John Bladeck |
John Bladek and I are at it again on two projects. We are in the middle
of adapting "Winterbay Abbey" into a screenplay. Additionally, we are
working on an action-adventure novel (set to release in 2019) in the same vein
as the "Indiana Jones" films. This new project entitled, "Origin" is about a
paleoanthropologist who has just discovered the possible existence of mermaids.
We are super excited about it!
"Origin"
is a very research-intensive project. I’ve already talked to a paleontologist
to make sure the marine science aspect is sound, not to mention John Bladek and
I are drawing on John's extensive anthropology/history knowledge. It’s
important to get the science right, as this book grew out of my love for
mermaids and wishing they had existed ever since I’d been a child. It’s been
fun to come up with different scientific — and I will even say somewhat
plausible — angles of how they could have come to be.
You live in Washington
- a very rainy, very beautiful state! Have you found inspiration for your
stories from the world around you?
Very much so. Writing "Winterbay Abbey" during the winter here
with all its rainstorms and being close to the coast helped me channel the mood
for the novel. Part of the story also takes place in Seattle around the
neighborhood I live in, so yes, there is a lot of inspiration here!
If you are looking to
have your book printed by a New York publishing house, be prepared for how long
it could take to master your craft and research the right agent to get you in
the door. I've known some people who took ten years to break in. Don't give up,
though. Everyone who continues to keep trying in this business, eventually gets
into print.
It's also crucial that
you make friends with other writers. People in my critique groups from eight or
so years ago have become my good friends, and those friendships have
inadvertently led to opportunities in publishing.
In regards to independent
publishing, I only recommend it to those who have some marketing savvy and are
prepared to spend upward of $2500 for good editing, a cover, and marketing. It's
hard to be successful without a product that competes with what you see in bookstores.
Knowing your competition and having high quality is important. If you book isn't
top-notch, you run the risk of damaging your reputation as an author and not
being taken seriously by publishing professionals. I can't stress that enough.
Where can readers can
connect with you online?
Davonna's:
Website: http://www.davonnajuroe.com/
Facebook: https://www.facebook.com/davonnaljuroe
Twitter: https://twitter.com/davonnajuroe
Instagram:
@davonna_juroe
John's:
Website: http://johnbladek.blogspot.com/
Facebook:
www.facebook.com/JohnBladekAuthor/
Twitter: https://twitter.com/JohnBladek
Thank you so much for
visiting with us, Davonna! Always a treat!
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Get fictional - it's fun! Thanks for stopping by, and I hope to see you again soon!